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Winter's Bone, by Daniel Woodrell
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Ree Dolly's father has skipped bail on charges that he ran a crystal meth lab, and the Dollys will lose their house if he doesn't show up for his next court date. With two young brothers depending on her, 16-year-old Ree knows she has to bring her father back, dead or alive. Living in the harsh poverty of the Ozarks, Ree learns quickly that asking questions of the rough Dolly clan can be a fatal mistake. But, as an unsettling revelation lurks, Ree discovers unforeseen depths in herself and in a family network that protects its own at any cost.
- Sales Rank: #25827 in Books
- Brand: Woodrell, Daniel
- Published on: 2007-07-11
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x .63" w x 5.50" l,
- Binding: Paperback
- 224 pages
From Publishers Weekly
Woodrell flirts with—but doesn't succumb to—clich� in his eighth novel, a luminescent portrait of the poor and desperate South that drafts 16-year-old Ree Dolly, blessed with "abrupt green eyes," as its unlikely heroine. Ree, too young to escape the Ozarks by joining the army, cares for her two younger brothers and mentally ill mother after her methamphetamine-cooking father, Jessup, disappears. Recently arrested on drug charges, Jessup bonded out of jail by using the family home as collateral, but with a court date set in one week's time and Jessup nowhere to be found, Ree has to find him—dead or alive—or the house will be repossessed. At its best, the novel captures the near-religious criminal mania pervasive in rural communities steeped in drug culture. Woodrell's prose, lyrical as often as dialogic, creates an unwieldy but alluring narrative that allows him to draw moments of unexpected tenderness from predictable scripts: from Ree's fearsome, criminal uncle Teardrop, Ree discovers the unshakable strength of family loyalty; from her friend Gail and her woefully dependant siblings, Ree learns that a faith in kinship can blossom in the face of a bleak and flawed existence. (Aug.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Adult/High School–In the poverty-stricken hills of the Ozarks, Rees Dolly, 17, struggles daily to care for her two brothers and an ill mother. When she learns that her absent father, a meth addict, has put up the family home as bond, she embarks on a dangerous search to find him and bring him home for an upcoming court date. Her relatives, many of whom are in the business of cooking crank, thwart her at every turn, but her fight to save the family finally succeeds. Rees is by turns tough and tender. She teaches her brothers how to shoot a shotgun, and even box, the way her father had taught her. Her hope is that these boys would not be dead to wonder by age twelve, dulled to life, empty of kindness, boiling with mean. A male friend feeds her hallucinogenic mushrooms and then assaults her. But, like Mattie Ross in Charles Portis's True Grit (Penguin, 1995), Rees beats the odds with spunk and courage. In spare but evocative prose, Woodrell depicts a harsh world in which the responsibilities for survival ultimately give Rees meaning and direction. He depicts the landscape, people, and dialects with stunning realism. A compelling testament to how people survive in the worst of circumstances.–Pat Bangs, Fairfax County Public Library, Va
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
*Starred Review* In Give Us a Kiss (1996), Woodrell introduced the Redmonds, marijuana farmers from the Ozarks ("It's a strange, powerful bloodline poetry, I guess, but there's something so potent to us Redmonds about bustin' laws together, as a family"). Now he turns his attention to the Redmonds' archenemies, the Dollys, another family of dirt farmers who thrive on bustin' laws together (crank cocaine being their crop of choice). But this time the Dollys aren't feuding with the Redmonds as much as battling each other. Sixteen-year-old Ree Dolly, who dreams of escaping her family by joining the army ("where you got to travel with a gun and they make everybody help keep things clean") is caught in the crossfire when her daddy jumps bail, leaving her stuck with two younger brothers and the prospect of forfeiting their house if the old man doesn't show up for his court date. To find Daddy, dead or alive, and save the house, Ree must ask questions of her notoriously tight-lipped relatives ("talkin' causes witnesses"). When she keeps pushing for answers, the relatives push back. Like his characters, and especially his teen characters, Woodrell's prose mixes tough and tender so thoroughly yet so delicately that we never taste even a hint of false bravado, on the one hand, or sentimentality, on the other. And Ree is one of those heroines whose courage and vulnerability are both irresistible and completely believable--think of not just Mattie Ross in True Grit but also Scout in To Kill a Mockingbird or even Eliza Naumann in Bee Season. One runs out of superlatives to describe Woodrell's fiction. We called his last novel, The Death of Sweet Mister (2001), "word perfect." If that's true--and it is--this one is word perfecter. Bill Ott
Copyright � American Library Association. All rights reserved
Most helpful customer reviews
204 of 216 people found the following review helpful.
Great writing; depressing subject
By Mary Reinert
Woodrell has definitely captured what it is like to live in a subculture that is so isolated from the bigger world around it. The Ozark area is such a paradox of beautiful lodges and resorts and, on the other hand, pockets of isolated, poverty-stricken rural poor. Woodrell's portrayal of the Dolly clan is, unfortunately, not unbelievable.
Ree's search for her father who has skipped his bail reflects a parallel search for a better life; she doesn't know where to look for him and her only idea of a better life for herself is to join the Army. The effects that meth have had on the rural poor is devastating. That together with generations of family hardships, feuds, intermarriage, and poverty paints a pretty depressing picture.
I live in Missouri and have just now discovered Woodrell. He calls his writing "Country Noir" which is truly an apt description. This isn't a pretty book, but it is an honest one and one that I would highly recommend for those looking to meet characters not found in most other writing.
175 of 188 people found the following review helpful.
a winner, but still champion
By Starved for It
Twenty years ago Jewel Cobb dragged a comb through his greasy, antique pompadour and in that brilliant moment Daniel Woodrell announced his intention to entertain a readership. Predictably Mr. Cobb did not survive that novel, Mr. Woodrell has gone on to publish eight of them and become a leading contender for the title of Most Underappreciated Writer in America (campaigning in the heavyweight division).
It may be that the very voices decrying Woodrell's lack of popular acceptance are at least partly responsible for it. The laudatory reviews, and they are finally numerous, tend toward the use of adjectives like 'dark,' and 'bleak,' and, 'lyrical,' and these suggest literary heavy sledding, reading reminiscent of a high school English assignment. It must be conceded that Woodrell is a serious writer, a purveyor of social outrage and dismay at the human condition, but not a page of his work passes without something to laugh at, cringe from, fret over--in other words the vicarious experience that is the stuff of ENTERTAINMENT.
In 'Winter's Bone' Woodrell continues to make good on his old promise. Though 'Bone' is not as consistently funny as some of his previous books it is a glistening showcase of an ever maturing and deepening compassion. America has no patience for her poor and feels it is in the poorest taste when the underclass is anything but invisible. Classism remains our most pervasive and acceptable prejudice. It is into the teeth of this nasty attitude that Woodrell flings the wonderful, large humanity of his people. Ree Dolly is the latest and most finely drawn of these Woodrellian characters. To read 'Winter's Bone' is to be instructed and ennobled, but really Woodrell means no harm by it. His trick, his art, is to make the hard lesson savory.
84 of 93 people found the following review helpful.
The best unknown writer
By David Beck
Why Daniel Woodrell is not a household name says much about literacy in America. Having read most of his books, I can't help thinking, Why don't more people know him? Why don't bookstores carry his novels? Why doesn't someone turn this book into a movie?
Anyway, Winter Bones is one of his best. It is a novel about a young girl who is on a journey of discovery, a discovery not just about her meth lab cooker dad but about herself. It is a picaresque novel, much like Portis's True Grit. She finds "justice" at a cost, but her determination and heart, to keep her family from homelessness, makes her one of America's most down-on-her-luck, inspirational characters in contemporary lit.
Woodrell fills his novels with great descriptions and dialogue. He creates characters whom you wouldn't want necessarily to meet, but are still intriguing, sympathetic and compelling.
Great book! Great author! Read Winter Bones and all of Woodrell's books. Maybe the word will get out, so that authors like Woodrell will be more well-known and praised like a lot of less-worthy authors.
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