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The Asylum, by John Harwood
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“Harwood, master of creeping Victorian horror, does it again . . . Twisted in every sense of the word and wonderfully atmospheric.”—Booklist
Confused and disoriented, Georgina Ferrars awakens in a small room in Tregannon House, a remote asylum in England. She has no memory of the past few weeks. The doctor, Maynard Straker, tells her that she admitted herself under the name Lucy Ashton, then suffered a seizure. When she insists he has mistaken her for someone else, Dr. Straker sends a telegram to her uncle, who replies that Georgina Ferrars is at home with him in London: “Your patient must be an imposter.” Suddenly her voluntary confinement becomes involuntary. Who is the woman in her uncle’s house? Georgina’s perilous quest to free herself takes us from a cliffside cottage on the Isle of Wight to the secret passages of Tregannon House and into a web of hidden family ties on which her survival depends.
“Redolent with a sense of foreboding . . . This gothic tale will sweep you up into the very heart of Victorian England. A splendid read!”—Historical Novel Society, Editors’ Choice
“A richly textured . . . [and] masterfully constructed narrative . . . Readers are guaranteed a thoroughly diverting time in Harwood’s not-to-be-trusted hands.”—The Independent (UK)
“The crisp prose and twisty plot will encourage many to read this in one sitting.”—Publishers Weekly
- Sales Rank: #116043 in Books
- Published on: 2014-05-27
- Released on: 2014-05-27
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .74" w x 5.31" l, .45 pounds
- Binding: Paperback
- 272 pages
From Publishers Weekly
Rosalyn Landor proves a fine choice to narrate this Gothic tale of mystery, mistaken identity, and madness. Georgina Ferrars awakens to find herself in a private asylum called Tregannon House. With no memory of the past several days, Georgina learns that she checked herself into the facility under the name Lucy Ashton. What follows is a suspenseful story of dark intrigue, as Georgina struggles to convince her captors of her true identity, even as mounting evidence begins to shake her belief in her own sanity. Landor's clear, accented reading pulls the listener into the sinister halls of Tregannon, and her first-person narration perfectly conveys the heroine's sense of confusion and growing desperation. With her crisp, straightforward delivery, Landor keeps the listener enthralled as one clue after another is revealed, leading to a climax that is as satisfying as it is surprising. A Houghton Mifflin Harcourt hardcover. (May)
From Booklist
Author of The Seance (2009) and The Ghost Writer (2004), Harwood, master of creeping Victorian horror, does it again in his latest tale of pervasive evil and madness. Tregannon House in the Cornwall countryside was not always an asylum, but, having been in the hands of weak-minded, ailing owners over generations, it now houses insane and depressed mental patients under the care and control of Dr. Maynard Straker. Unfortunately, Miss Georgina Ferrars is neither mad nor voluntarily committed. She awakens in a locked cell lacking memory of how she arrived and not knowing where she is, though she is certain of her identity. But the staff is convinced she’s Lucy Ashton and insist that she stay until she recovers her “correct” memory. The reader begins to question Georgina/Lucy’s narrative reliability as the story progresses: Is she lying or is the kindly doctor serving some evil purpose? Twisted in every sense of the word and wonderfully atmospheric, this dark psychological tale shocks by degree until truth of a sort is revealed, in a style similar to that of Joanne Harris’ Sleep, Pale Sister and D. J. Taylor’s Kept. --Jen Baker
Review
"A deliciously spooky pastiche of the high and low Gothic traditions and the tender heroines who live and die by them."
—New York Times Book Review
"Harwood, master of creeping Victorian horror, does it again. . . Twisted in every sense of the word and wonderfully atmospheric, this dark psychological tale shocks by degree until truth of a sort is revealed in a style similar to that of Joanne Harris' Sleep, Pale Sister and D.J. Taylor's Kept."
—Booklist
"Harwood evokes Charles Palliser and Louis Bayard in his engrossing third stand-alone Victorian thriller. . . The crisp prose and twisty plot will encourage many to read this in one sitting."
—Publishers Weekly
"With Harwood's beguiling pastiche The Asylum, we're once again in a contemporary version of the Victorian Gothic mystery, with a lineage that stretches back to Wilkie Collins's The Woman in White and beyond. Though it's not a comfortable place for the beleaguered heroine, readers are guaranteed a thoroughly diverting time in Harwood's not-to-be-trusted hands."�
--The Independent (UK)
Most helpful customer reviews
38 of 40 people found the following review helpful.
One of my favorite writers of Gothic suspense
By sb-lynn
Brief summary and review, no spoilers:
This terrific Victorian gothic novel start out with 21 year old Georgina Ferrars waking up in a room in an insane asylum in Cornwall. Georgina has no working memory of how she got to this room, and her situation is made all the worse when she finds out that everyone there thinks she is a woman named Lucy Ashton. Indeed every indication is that she is Lucy; so why are all her memories of Georgina? And why when she asks the doctor to wire her uncle to verify her identity both he and the maids indicate that Georgina is there with him and never left and that the woman in the asylum is an impostor?
I think it's important with any novel not to give away spoilers, but even more so with this one. Harwood lays the clues out for the reader and it would really spoil the fun to find out anything prematurely. Suffice it to say that the book goes back and forth in time as we figure out the truth and solve this puzzle. If you've read this author before you know we get information and clues often by intriguing letters and characters backstories.
So why do I say John Harwood is one of my favorite authors? Because I cannot think of an author who writes gothic as well as he does. He sets a mood like no other, and once you open this novel you will not be able to put it down and there are times when your heart is just racing. It is after 2:00am here and I just finished because I had to know what happened next.
He plays fair and square with the clues but I do caution that you have to read this book carefully - if you skim you will miss out.
One of my top reads of all time was this author's first book, The Ghost Writer That too was a book that took careful reading (and in fact I had to read The Ghost Writer twice to completely figure it out) but boy was it worth it. The second book, The Seance was good, but in my opinion The Ghost Writer and this book are better.
Highly recommended. You know that wonderful reader's "high" that you get when you've read something really special and been transported to another place and time? Well, I'm feeling that buzz right now. Just a fun, great read and a compulsive page-turner.
0 of 0 people found the following review helpful.
Victorian, Gothic fun
By Pamela
It took me a few tries to get past the first few chapters, but once I did Incouldnt put it down. In fact, I was so entranced by the story I stayed up all night and read it in one sitting. Harwood always delivers a twisty, spooky, intriguing story. This one is in the great tradition of Victorian sensation novels, and reminded me quite a bit of Wilkie Collins's The Woman in White. It is, in a way, like a shorter, less literary version of Sarah Waters's novel Fingersmith. I recommend it for those who enjoy Victorian gothic mysteries.
1 of 1 people found the following review helpful.
VERY, very engaging
By Pegah Savehshemshaki
This is one of those books one cannot simply put down. I read it in 12 heart-pounding hours. An amazing and deeply atmospheric thriller.
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